Mather Point Music offers a project studio touch to suit your musical needs.

What is your musical need? MPM is here to help.

 
 
Music from “Small Yellow”

Music from “Small Yellow”

Music Production

Mather Point Music is a small but full service music production company. The studio is small and the walls are yellow, so in tribute to the Band I call it “Small Yellow”. I can help realize your musical goals. I also can add drum tracks as well as basic bass and keyboard tracks. I have access to plenty of software instruments including Omnisphere and Trilium. I love working with musicians and help them realize musical ideas.

Partial Equipment List:

Microphones:

Shure SM57 x2, SM58, Beta 58, SM81

Rode N1x2

AKGC214, D112

Warm Audio WA87 R2

Cascade Fathead II

Telfunken M80

Naiant Omni x2

ProTools & Logic mixing with full complement of plugins

ProTools & Logic mixing with full complement of plugins

Mixing

I started “in the box” mixing 15 years ago starting with my wife’s first self produced record. I caught the bug and have been mixing projects in various styles ever since. I mix in both ProTools & Logic and use plugins from Waves, McDSP, FabFilter, Izotope, Audio Assault, Black Rooster Audio and PSP. I pride myself on having a wide range of references in regards to mixing/musical styles and don’t like to impose my biases on your music. I enjoy mixing everything from Rock, Jazz, Folk and theater music. I promise that I will go to every effort to get your music sounding as good as I can.

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Mastering & Delivery

I always suggest that your best bet is to have another set of very qualified ears to master your music. The cost of mastering isn’t always a realistic option. So I have created my term “faux-mastering”…and if I do say so myself I’ve gotten pretty good at it. I use software such as Izotope Ozone, McDSP, Waves and FabFilter, Fission and Meter-Plugs plugins to get a broadcast-ready sound. I’ve also delivered to duplication houses such as Discmakers in hard format, uploads, and DDP. I may not be able to provide $10,000’s of dollars in outboard mastering gear, but not every project needs or can afford that treatment. I promise a final master we both can be proud of.